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Author Topic: Anyone vouch for AN200?
E
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posted July 03, 2001 12:10 PM     Profile for E   Email E     Send New Private Message   Edit/Delete Post   Reply With Quote
I'm thinking of getting an AN200 to complement the AN side of my EX (well, I'd really like an AN1X, but $ and the fact that I don't ned another big piece of gear to lug around prohibit that right now).

Is it basically an AN PLG in a box? Anyone have it? Does it sound good? E!

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Posts: 1766 | From: California, USA | Registered: Jun 2001  |  IP: Logged
Ski
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posted July 03, 2001 02:02 PM     Profile for Ski   Email Ski     Send New Private Message   Edit/Delete Post   Reply With Quote
It's basically a PLG150AN in a box, along with the addition of the sequencer (which only plays monophonic AN lines) and the drum/rhythm samples (which can be sequenced with three tracks).

An AN1x is 10 note poly, and has a lot of additional performance controllers (like a pressure sensitive ribbon, and true patch morphing with a mod wheel) that are nice. You can probably pick up a used AN1x in good shape for just a little more than the street price of a new AN200.

That said, I played with an AN200 in the store, and liked it quite a bit just as a tone module. I didn't have a chance to experiment with the sequencer, so can't comment on that. There's a very good review of the AN200 and DX200 in this month's issue of Keyboard for more info.

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Posts: 5260 | From: Texas | Registered: Jun 2001  |  IP: Logged
J. Westwood
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posted July 04, 2001 01:04 PM     Profile for J. Westwood   Email J. Westwood     Send New Private Message   Edit/Delete Post   Reply With Quote
I heard the demo in the latest Future Music CD, and it's fairly impressive. THey also had sounds from the Korg R2D2 something similar, and I'd say Yamaha has a phatter sound definately. Yet, with all the knobs and 'styles' and all, it struck me as a supped up TB-303? So, if you're into dance/techno, it could be very good and worthwhile to 'keep the acid going' on the dance floor. But to model Moog, Arp, SCI, etc. sounds accurately... I might think not?

It could be as handy as a distortion box is to a guitar player?


Posts: 6371 | From: Toronto | Registered: Jun 2001  |  IP: Logged
Ski
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posted July 04, 2001 08:48 PM     Profile for Ski   Email Ski     Send New Private Message   Edit/Delete Post   Reply With Quote
Have to differ with you a bit on that one, John. As with the AN section in the EX5, the more or less identical architectured AN200, AN1x, and PLG150AN are QUITE good at modeling vintage Moog, ARP, SCI, Yamaha, and other classic synths. Most especially the SCI Prophet 5, and the original analog Yamaha CS series.

Along with the Virus and the Waldorf Q, I strongly believe that the Yamaha AN analog modeling sits at the top as one of the very best. Yamaha just needs to make a newer version of the AN1x that has knobs and sliders for realtime control of all (OK, *nearly* all) of the Voice parameters (like the Virus and the Q). The AN200 is a good step in that direction, though. While it doesn't have knobs for everthing, almost all functions are only an extra button click away from being tweaked by a knob.

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Posts: 5260 | From: Texas | Registered: Jun 2001  |  IP: Logged
E
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posted July 05, 2001 12:24 PM     Profile for E   Email E     Send New Private Message   Edit/Delete Post   Reply With Quote
Okay, sounds like it would work for what I'm looking for. I basically want a small, not too expensive, analog modeling module to free up EX dsp for performances. E!

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Posts: 1766 | From: California, USA | Registered: Jun 2001  |  IP: Logged
Ski
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posted July 05, 2001 12:32 PM     Profile for Ski   Email Ski     Send New Private Message   Edit/Delete Post   Reply With Quote
Whoops! Forgot to mention...

Don't hold me to this, but unlike on the EX5 (not the EX7), I don't believe that you can layer the AN Voices on the AN200. Someone please correct me if I'm wrong, here.

I think that the AN1x and the EX5 are the only two Yamaha AN synths that can layer the Voices.

Of course, the AN200 gives you five note polyphony, whereas you only get two note polyphony on the EX5 (one note if you layer).

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Posts: 5260 | From: Texas | Registered: Jun 2001  |  IP: Logged
J. Westwood
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posted July 06, 2001 08:41 AM     Profile for J. Westwood   Email J. Westwood     Send New Private Message   Edit/Delete Post   Reply With Quote
Yes, you could be right Ski. The demos aren't always the best to go by. And of course everyone's hitting the 'dance market' with these little boxes (Korg, Roland, etc.), and the demos have to get faster and harder on each unit. Yamaha's could probably easily be more fruitful with one who knows their synths and AN programming. But I think 'out of the box' it's going to make any buyer sound like Fatboy Slim or the Chemical Brothers with all these presets and sequence patterns on board? I think you're right though about 'layering', I believe it's just a 2 Osc per voice/patch?

I'll have to look at the article again to be sure?


Posts: 6371 | From: Toronto | Registered: Jun 2001  |  IP: Logged
Glenn
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posted July 06, 2001 04:19 PM     Profile for Glenn   Author's Homepage   Email Glenn     Send New Private Message   Edit/Delete Post   Reply With Quote
E, just a suggestion ,but if you are looking for a VA synth in that price range with similar polyphony to the AN200 it is very hard to go past the Nord Micro modular. This thing is truly versatile, cheap and sounds good. It has some great FX processing capabilities/vocoder/step sequencer etc. Only downer is you need a PC to edit it, but you can save 128 patches and use it live without a PC.Nord are going to update the OS again and add new modules in the near future-the OS is already good- and there is a patch archive of thousands if you cant be bothered programming yourself. Well worth a look IMHO

Cheers
Glenn

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Posts: 138 | From: Auckland, New Zealand | Registered: Jun 2001  |  IP: Logged
Ski
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posted July 06, 2001 08:32 PM     Profile for Ski   Email Ski     Send New Private Message   Edit/Delete Post   Reply With Quote
The Nord Micro Modular IS a good alternative, and so is the Waldorf "Micro Q". Both have great functionality, and great sound. The Nord is probably the lowest priced high powered synth out there. And the Micro Q is nearly as functional as the "big Q", but without any knobs or keyboard.

The one thing that I like a LOT better about the AN200, though, is that it DOES have a lot of knobs and buttons on the front panel with which to program. It doesn't have *dedicated* knobs for EVERY function, but most functions are only a button press away from activating a knob to control that function. The AN200 also has the sequencer and drum/rhythm AWM2 samples, too.

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Posts: 5260 | From: Texas | Registered: Jun 2001  |  IP: Logged
Mykel
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posted November 05, 2003 07:57 PM     Profile for Mykel   Email Mykel     Send New Private Message   Edit/Delete Post   Reply With Quote
Man, I'm glad I'm getting an EX5 now which kind of makes up for it, but the first keyboard I bought was an AN1x, although it was a total broken lemon (and i mean broken, it didnt even have any case screws, the thing was practically a science experiment) so I never got to hear it at all.. Hopefully the ex5 (I'm going home this weekend and it will be there waiting for me ) will make up for this fact.
Posts: 83 | From: Orlando, FL | Registered: Oct 2003  |  IP: Logged
J. Westwood
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posted November 06, 2003 10:24 AM     Profile for J. Westwood   Email J. Westwood     Send New Private Message   Edit/Delete Post   Reply With Quote
As Curtis Mayfield had sung 'You got to move on up!' But WHERE on earth would you get an AN1X in THAT condition? That just sounds NASTY!
Posts: 6371 | From: Toronto | Registered: Jun 2001  |  IP: Logged

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